Joe Casey on CBR’s Comics Should Be Good!
Posted by MOA on May 8, 2012
CBR’s Random Thoughts are out and Man Of Action Joe Casey answers another random question from the guys at Comics Should Be Good. + Some random comments from Chris, Wil and Travis!
Random Joe Casey Question!
In the short semi-autobiographical story you did with Sean Phillips, “Autopilot,” you seem to talk around the idea that, working as a writer in mainstream comics, you basically have three areas you have to service: your own creative interests, your professional interests/the interests of your employer, and the interests of the audience. The conclusion you come to suggests that it’s near impossible to satisfy all three (hell, it’s difficult to satisfy one of them completely, I imagine). Do you place any of them as your priority usually? What’s the closest you’ve come to satisfying all three do you think? Hell… do you care about satisfying all three? (Also, did I just miss the point completely and am creating a question off of a false assumption?)
Random Joe Casey Answer!
I really don’t think I’ve ever satisfied all three. And, really, you miss out on a lot of the fun involved in the creative process when you’re chasing any of them. If your artistic sensibilities happen to cross over with the sensibilities of the audience, then good for you. As for my “professional interests”, it’s been a good long while since those have been any real consideration for me. Which is how it should be.
These days, I’m usually out to service my own creative interests exclusively. I figure, if I can do that to a satisfactory degree, then at the very least I’m being honest with myself… and if an audience is receptive to that work, then I guess I win. And I’d rather connect with an audience in a genuine way rather than blatantly pander to them to get them on my side. I already work in mass entertainment media, where you’re trying to please everyone and their picky-ass mother. So I know the difference from first-hand experience.
I’m quite content with comicbooks being a niche market, like poetry or jazz. I didn’t used to feel that way. Ten or twelve years ago, I really wanted comicbooks to be on par with movies and TV. Then I came to my senses… because they’re obviously so much better than those other entertainment mediums…!
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